The stuck-in-one-place subgenre of horror is packed with clever concepts and places to be stuck in (from a coffin to a sailboat). #Manhole is the latest entry in this subgenre and it truly is one of these films where, no matter what it is anyone thinks is going on before watching, no one will ever guess what the actual twist is until it arrives. The film is the latest feature from Japanese genre director Kazuyoshi Kumakiri (also of Hole in the Sky, Green Mind Metal Bats, Freesia: Bullet Over Tears, Magic, Blazing Famiglia, Sketches of Kaitan City, Summer's End, My Man, Mukoku) and it opened in Japan just a few weeks before premiering at the 2023 Berlin Film Festival. The title is officially #Manhole with the hash symbol, which makes sense once the film gets going and the social media subplot kicks in. This quick festival review will be spoiler free, as I'd rather everyone go watch this film without knowing anything more before heading in. It is not a spoiler to say that there are twists, because of course, that's obvious & expected for a horror movie like this. // Continue Reading ›
from FirstShowing.net https://ift.tt/1G5Abql
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