Cannes 2022: Kore-eda Follows Another Unique Family in 'Broker'

Broker Review

Is there anything new I can say about the wonderful Japanese filmmaker Hirokazu Kore-eda that hasn't already been said by more adept film critics? Not really. He's beloved and so many critics have analyzed him in great depth already. His talent isn't in question, we know he's a master filmmaker, it's only whether each new film he makes is interesting or worthwhile. Broker is Hirokazu Kore-eda's latest feature, premiering at the 2022 Cannes Film Festival in the main competition section where just 4 years ago he already won the coveted Palme d'Or (for the film Shoplifters). Broker is actually set in Korea and filmed in Korean, marking the first time that the Japanese director has made a Korean film, but it's still as wonderful as ever. Even if he's telling pretty much the same story as Shoplifters, following a pieced-together family of lonely people - most of them orphans who have found solace and comfort in their amusing renegade family they've formed. ›››

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